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The music is jazz-centric, with elements of progressive rock and blues. Over the course of Winter in June, Project Trio varies the rhythm, mood, and style. There are sonic sound-checks from a variety of artists, like the Kurt Weil (Alabama Song) vibe of The Moon Over the Ruined Castle, the Tom Waits elements of Semuta, and various bits of Jean-Pierre Rampal and Claude Bolling (noted jazz classical artists).
The title track, Winter in June, is quite evocative, with light percussion and a stark, moody feel. The creaking of winter is evident, but it's harder to find the June. It's a well constructed piece, but all too short as it drifts into a premature fade.
Interlude: 2nd Happiest Song in the World is a bluesy jazz piece that lets the cello shine with an exotic Indian style riff over a beat box line and flute accents. The bass and cello mesh perfectly. The bridge gives the flute some room to break loose, so the song is balanced as a whole.
The high point is Interlude: Tribal, which rolls through a number of shifts. It starts out with a stately procession centered on the cello and bass. This slides into a syncopated cello solo that feels like a focused intent, before slipping into a squirming cello deconstruction. The flute takes over with a sassy jazz section. The rhythmic drive during the flute solo creates a higher energy. Tapping percussion rolls us back to the original processional feel. It's nice piece of sonic art.
Winter in June is pleasant little trip nicely paired with a cinnamon iced tea - just a little bite to get your attention.
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